Tuesday, January 19, 2010

This month's eMusic Downloads (January) (I love getting free songs from them)

I've been listening to a weird mix of Leonard Cohen's I'm Your Man album and punk. It makes me feel like I just wasn't made for these times. You ever hear "Another Girl, Another Planet" by The Only Ones (Or the Mats' cover version from their All For Nothing compilation)? That song is a footnote to the history of punk by most any reckoning, but goddammit is it awesome. Underground hip hop is probably the closest thing to anything that exciting right now, or at least, anything that I'm hip to, but even that feels like it peaked a few years ago. Or maybe I'm just too busy with my other obsessions and obligations to know, because most of my favorite hip hop albums from last year (with the exception of K'naan) were pretty mainstream (Eminem, Jay-Z, Mos Def). Or at least I think that's the case. I fully expect Keith to remind me of why I'm wrong. Anyway, eMusic gave me another 75 or so free downloads to rejoin for a month, something I'm almost hesitant to mention for fear that they will stop. Here's what I grabbed:

Neil Young: Sugar Mountain:Live at Canterbury Horse 1968
Neil Young: Neil Young
Neil Young: Weld (I can't be the only one who wishes for a live version of "Shots" from this era of Neil. It would have been almost too perfect)
Echo and the Bunnymen: Songs To Learn and Sing
The Dead Boys: Young, Loud and Snotty (I had the "Younger, Louder and Snottier" version, but I needed the real one)
The Dictators: Go Girl Crazy (How did I not own this already?)
Richard Hell and the Voldoids: Blank Generation (If Richard Hell didn't exist, Lester Bangs would have been forced to create him.)
Husker Du: Flip Your Wig (Bob Mould has officially passed Marley as my second favorite "Bob" in the pantheon)
Chris Bell: I Am The Cosmos (One day I will try and decide if car crashes deprived us of more geniuses than plane crashes in the music world)
Leonard Cohen: Live at the Isle of Wright 1970

Working with a rock star is still every bit as great as you might expect. Today he casually mentioned playing organ for Richard Hell while he rapped. How fucking great is that shit? It's like I'm getting to live in my own Nick Hornby novel. He was talking about the time Jim Derogatis wrote some shit about him in Rolling Stone. If you don't understand why that's cool, then I can't help you.

Here's hoping that next month eMusic offers me the same deal. There are a few more Neil live albums I need, and I could stand to fill out my Spoon and Husker Du collections.

Friday, November 27, 2009

Pretty, Damned, Something


From Rock of Ages: The Rolling Stone History of Rock & Roll, by Ed Ward, Geoffrey Stokes and Ken Tucker: "His [Ronnie Van Zant] songs prefigured much of the sentiment of rock in the early 1980s from bands such as R.E.M., the Long Ryders, and the dBs."

From Our Band Could Be Your Life, by Michael Azerrad:
"On one early tour, the band intersected with the dB's at a show at Duke University. The band's guitarist Peter Holsapple knew Jesperson was a big fan and gave him a copy of the brand-new dB's single."

From Big Star: The Short Life, Painful Death and Unexpected Resurrection of the Kings of Power Pop, by Rob Jovanovich: "Late in 1977 Chris Stamey managed to land a support slot for his friend Peter Holsapple's band, the H-Bombs...to open for Chilton's band at Max's Kansas City. Holsapple was excited about the opportunity to, especially because he'd been a Big Star fan from the word go. 'A number of us kids in Winston-Salem had heard one of the college DJs play stuff from #1 Record on a late-night program called 'Deaconlight' on the Wake Forest University radio station WFDD-FM,' recalls Holsapple. 'I'm pretty sure Chris Stamey was the first person to actively seek out a copy of the record. My high-school band Little Diesel played a bunch of songs from that album, too. You could say that my friends and I had pretty rarefied tastes even at fifteen to seventeen years old. We lived in a town in the midst of Allman, Marshall Tucker, Skynyrd mindset. Our band song lists had a lot of what we wanted to play, but we had to know 'Midnight Rider' in order to play a lot of places. So we were pretty pumped to find out about an actual Southern band playing actual Beatles-style pop, and not jamming endlessly.'"

From wikipedia: "Peter Holsapple- bass guitar on 'Radio Song' and 'Low'; acoustic guitar on 'Losing My Religion', 'Shiny Happy People', and 'Texarkana'; electric guitar on 'Belong'"

Those are just references I found by briefly glancing through the indices of the rock books I keep on my shelf in my bedroom, and a quick check on wikipedia. In a casual conversation today, he mentioned a couple of musicians who I view as minor deities (Alex Chilton and Paul Westerberg) the way I might mention people I knew in high school (and in the case of Westerberg, the way I would refer to someone I really didn't like in high school, but I had kind of gathered that much about Westerberg already) I'm listening to his solo album, Out Of My Way (available from eMusic and Amazon, and probably iTunes as well, but I haven't checked since I won't use iTunes until they quit trying to make my life with a Palm Pre difficult) right now, and it's pretty goo. He's a good singer and a better guitarist. His recent album with his dB's collaborator Chris Stamey is even better. And now he's my coworker at a struggling book chain. At one point, he was signed to a record label owned by the legendary Albert Grossman (Dylan's manager in the 60's- if you saw Don't Look Back, and if you haven't I have to wonder why not, you remember Grossman).

Nothing much more to report than that, but sometimes attention must be paid, as some guy who was married to Marilyn Monroe once wrote. Joe DiMaggio, I think.

Tuesday, June 16, 2009

The Street Sweeper Social Club

For today, you can buy the new collaboration between Boots Riley and Tom Morello, The Street Sweeper Social Club, for four bucks on amazon.com.  I'd been looking forward to this collaboration since I heard about it, and now that I'm listening to it, I've discovered that it's pretty much exactly what I should have expected.  Boots, the driving half of the Oakland hip hop duo The Coup, is always a treat to hear- I've long held him to be one of the most underrated MCs in rap-but on this outing he's covering well-worn territory.  For example, "100 Little Curses" reminds me of "Everythang", the opening track of 2001's Party Music, but more as a pale shadow.  There's nothing wrong with his contribution, except that his lyrics seem less... inspired, more rote than on any of the Coup's albums.  More disappointing is Morello's half of the album.  It's creeping up on twenty years since the first Rage Against The Machine album, and his unique guitar style, once  audacious has grown long in the tooth over four Rage albums and a couple of Audioslave albums (although I'll admit that I only heard the Audioslave songs that made it onto the radio, back in my final days of trying to listen to the radio).  More than that, there doesn't seem to be much connection at all between Morello's riffs and Boots' lyrics- it feels like Morello just recorded a bunch of Tom Morello stuff and gave them to Boots to rap over.  With Rage, it usually felt like there was a synergy between Zach de la Rocha and Morello that is missing here.  The music has a few of Boots' regular hallmarks (the occasional handclaps that I always associate with Boots, for example), but the guitar doesn't suit Boots as well as the more laid back funk of the Coup albums.

All of this sounds more negative than I  mean it to, and it is a first impression, being written even as a I listen to the last track on the album.  It's not a bad album, or even a mediocre album, not really.  It's more just... a predictable album.  I keep thinking about another collaboration between a radical black wordsmith and a 90s alternative/metal icon- Saul Williams and Trent Reznor's The Inevitable Rise and Liberation of Niggy Tardust!,which benefitted from the freshness of the collaboration in a way that The Street Sweeper Social Club doesn't.  Still, it's 11 new tracks by Boots Riley, and that's always worth at least four bucks.

Mildly Recommended.  

Monday, June 15, 2009

My Last eMusic Downloads

Bike For Three- More Hearts Than Brains
Steve Earle- Just An American Boy, 4 tracks I was missing from Washington Square Serenade
The Hold Steady- Separation Sunday
Ben Nichols- The Last Pale Light In The West
Elvis Costello- Secret, Profane and Sugarcane
16 Horsepower- Hoarse
Three tracks from someone called "themselves' featuring Slug, Aesop Rock and Buck 65.

Next month eMusic gets Sony's back catalog and cuts the number of downloads I'd be paying for in half.  As this is unacceptable to me, these are my last emusic downloads.  The end of an era.

Monday, March 30, 2009

This Year's eMusic Downloads

The New Pornographers-  Mass Romantic
The Corn Sisters- The Other Woman
Neko Case- Live From Austin Texas (Neko is coming to Raleigh, and I might be going to the show, which is why I downloaded the first three albums here.  Also, Neko is awesome.)
Titus Andronicus- The Airing of Greivances (I downloaded this because of a couple of good reviews I read that led me to believe that the band was another Springsteen/punk inspired band ala The Hold Steady or the Gaslight Anthem, but I hated the tracks from this album that I listened to.  Not recommended.)
Mr. Lif- "Obama" (Good, but not great.  Kind of par for the course for Lif's career since the awesome "I Phantom" album.)
Gravediggaz- Six Feet Deep 
MF Grimm- The Downfall of Ibliys
LCD Soundsystem- 45:33 (Haven't listened to this yet)
Despot- "Homesickness" (ibid)
Rick Springfield- "Life in A Northern Town", "I'm Not In Love" (I love covers, almost as much as I hate cover bands.  This is part of the strange paradox that is Rob)
You Don't Know The Half- Mixtape featuring Talib Kweli, J-Live, Little Brother, Wordsworth, et al.  
James McMurty- Best of the Sugar Hill Years (I downloaded this after reading a piece on slate about Larry McMurty's boy's work.  "Choctaw Bingo" is one of my favorite songs in years- one that I can't stop listening to.)
Z-Trip- All Pro 
The Streets- Everything Is Borrowed (I'm still not sure what I make of The Streets' style.  I know that I love the title track and "I Love You More (Than You Like Me))
Emerson Lake and Palmer- "Jerusalem" (One of my favorite poems by Blake, I can't get enough of versions of it in song form, even by bands I don't care about)
At The Drive In- In/Casino/Out (I downloaded this because Chuck Klosterman mentioned them in a podcast I heard.  I kind of dig this.)
The 101ers- "Keys To Your Hearts" (Joe Strummer's band before The Clash.  Need I say more?  The band name is a reference to 1984, if you were wondering.)
Radiators From Space- "Television Screen" (Phil Chevron later joined the Pogues, and wrote "Thousands Are Sailing", which is one of my absolute favorite Pogues songs)
The Radiators- "Million Dollar Hero" (Not sure if these are the same guys as The Radiators From Space or a band from New Orleans.  I should go ahead and listen to this track to solve the mystery, even though I think I know the answer.)
The Damned- "Love Song" 
Low Pressure: The Compilation (Canadian hip-hop, including McEnroe, Birdapres, Josh Martinez and Buck 65)
Girl Talk- Night Ripper (Girl Talk's Feed The Animals was one of my favorite things from last year)
The Mighty Underdogs- Droppin' Science Fiction (Good hip hop music)
Screeching Weasel- My Brain Hurts
Elliot Smith- New Moon (Disc 2)
Guided By Voices- Do The Collapse
Guided By Voices- Propeller
The Kinks- "Lola", "You Really Got Me" (Two live tracks, downloaded to fill out the number to fifty)


Wednesday, December 17, 2008

This Month's eMusic Downloads (December)

I've started a new job, so that's why the posts have been more infrequent than usual.  More on all of that later.

Anyway.

-I Am Sam soundtrack- Nothing but Beatles covers
-Army Navy- Army Navy
-Elliott Smith- New Moon- Been meaning to get this for a while now
-Deep Puddle Dynamics- The Taste of Rain... Why Kneel
-Guided By Voices- Alien Lanes
-Matthew Sweet/Susanna Hoff- Under The Covers Vol. 1- Well, most of the album, which is all covers of 60s stuff from the likes of Dylan, The Who, Love, The Velvets and the Beatles.

Pretty exciting, right?

Monday, December 1, 2008

100 Songs: "Live Forever" (Oasis)

When I was in college, I took a class about Victorian novels.  For a class project, one group made a short film, a bizarre mash-up of Dracula, and I think Wuthering Heights.  The film was utter shit, of course.  It didn't really have any choice in the matter.  But the one thing I gave the filmmakers credit for was their choice of Jeff Buckley's "Eternal Life".  The song isn't actually about eternal life, so much as about American political strife, but you had to give them credit for trying.  This past weekend, mostly as a favor for a friend, I saw a popular movie about teenage vampires, which also wasn't particularly good.  And at the end of the movie, apropos of nothing, they played the Radiohead song "15 Step".  I was honestly disappointed, even though I think that the song is fine.  (Okay, I guess the part about "how come I end up where I started?" makes a little bit of sense for a movie about someone who has been a teenager for 90 years, but I'm meeting them way more than halfway here. Hell, we're talking about a band that has a song titled "We suck Young Blood", and "Reckoner was the best that they could do?)  When we got back to the car, I grabbed my iPod and put on the song that was the obvious choice for the closing credits, Oasis' "Live Forever".

I can't really explain what it is I like about Oasis.  I mean, the brothers Gallagher seem to go out of their way to be the most unlikable people in the music industry (and reflect for a moment on the magnitude of that particular achievement).  They've probably made twice as many bad albums as good albums. But for some reason I still kind of like the band, mostly because of a handful of songs that I adore- "Don't Look Back In Anger", "The Masterplan" and "Live Forever" chief among them.

Then again, reading the wikipedia page about the song makes me desperately want to hate the song that got Noel Gallagher into his little brother's band.  "Inspired by the Rolling Stones' 'Shine A Light', 'Live Forever' features a basic song structure and lyrics with an optimistic outlook that contrasted with the attitude of grunge bands popular at the time."  This struck me as so self-important and prattish that I'm half-convinced Noel wrote it himself.  The grunge reference, although it strikes me as mostly bullshit, apparently comes from Noel's claims that he wrote the song in response to Nirvana's "I Hate Myself And I Want To Die", and taking the song's title at face value.  Besides being silly, this is also apparently impossible.  The wikipedia page says that Noel wrote the song in 1991, while the Nirvana song was from the In Utero sessions in 1993.   So someone is lying here, and I don't really care who, since I think that both Noel and the wikipedia editor (if they are, in fact, different people) are lying assholes, and I mean that in the best possible way.  

When you look at the lyrics of the song, despite their "optimistic outlook", you come to the conclusion that they are either slightly profound, or profoundly slight.  (I'm sorry, but once the phrase popped into my head, I knew I had to use it.)  
"Maybe I just want to fly
I want to live but don't want to die
Maybe I just want to breathe
Maybe I just don't believe
Maybe you're the same as me
We see things they'll never see
You and I are gonna live forever"
Proclaiming that "you and I are gonna live forever" seems quite self-assured, but this confidence would seem to be undercut by the four "maybes" proceeding it, or is this the point?  That the singer isn't sure about anything except for the fact that he's going to live forever with whoever he's singing to.  (According to wikipedia, which we've already shown might not be the most reliable of sources, the song is addressed to the Gallagher's mum.  I had always assumed that it was a love song, possibly because I added the implied rhyme of "baby" to all of those "maybes" subconciously.)  The bit about "I want to live but don't want to die" is either an incredibly obvious sentiment, about as meaningful as singing " I want to be thin but don't want to be fat", or, if one is feeling charitable, a subtle recognition of the problem of wanting to live meaning that you inevitably have to die, a reading that is harder to reconcile with the subsequent proclamation of eternal life.  The bit about " Maybe I just don't believe", if taken as a religious statement, is interesting when taken with the declaration of living forever, perhaps suggesting that religious salvation is unnecessary and the love alone is powerful enough to grant eternal life, but this seems like another overly charitable reading.  Really, the only line here that still like after a perfunctory examination is "We see things they'll never see" , which is still essentially meaningless, but at least has the benefit of sounding good.  

I have an Oasis bootleg of nothing but acoustic live performances, and it's this version of the song that I like a lot more than the electric studio version.  The sparser instrumentation (there are no drums on this version) and the slightly slower tempo bring out the song's best quality, which is the earnest nature of the vocals.  Or maybe it's because the version I like has Liam on vocals instead of Noel.  The added emphasis on the lyrics should hurt the song.  After all, they are the kind of lyrics that sound a lot better than they actually are, if you follow.  It's an odd thing, maybe it's a testimony to some deep human response to the notion of immortality, although I kind of doubt it, but somehow the lyrics still make you feel something, and I still like the song, even after I've demonstrated to myself why I shouldn't.  Which is, of course, entirely appropriate for my favorite song by a band that I like despite the fact that I despise them.  


Tuesday, November 18, 2008

This Month's eMusic Downloads (November)

The Gaslight Anthem- The '59 Sound
The Hold Steady- Almost Killed Me
The Hold Steady- Live at Schubas 3/12/04
Tom Waits- The Early Years Part II
The Rocky Horror Picture Show Original Soundtrack
Edgar Allen Floe- The Streetwise LP
Nada Surf- The Weight Is A Gift
Her Majesty- "Rebel Song (Ode to Joe Strummer)"
Mr. Lif- "Welcome To The World"
Jeff Tweedy- "James Alley Blues"

I'm beginning to think that The Hold Steady were grown in a lab with the express purpose of becoming my new favorite band.  If so, that's a mad scientist I want to meet.  Or who will one day kill me.  One or the other.

I downloaded the Her Majesty song pretty much entirely because of the title.  It's okay, but oddly enough sounds almost nothing like a Clash song.  And because I had a couple of extra downloads left.  Same with the Jeff Tweedy song.